November 11, 2022
06:00 PM – 07:00 PM
In this in individual celebration, professor Annie-Paule Quinsac will present her not too long ago-published ebook, Divisionismo Italiano. Sguardi e prospettive 1880-1920 (Massetti Rodella Editori, 2022). The work is a revisitation of her seminal thesis “La peinture divisionniste italienne. Origines et premiers développements 1880-1895“, talked about at the Sorbonne in 1968 and revealed in 1972.
Utilizing a transversal tactic, Quinsac analyses the sociopolitical, historic, and ideological context that characterised Italian divisionism, from Segantini’s Avemaria a trasbordo (1886, the first Divisionist get the job done), as a result of the Symbolism of the 1890s, and up to the Futurist revolution, underscoring the at any time-altering interpretations of critics by means of the existing.
Artists viewed as: Georges Seurat, Paul Signac, Vittore Grubicy de Dragon, Giovanni Segantini, Jean François Millet, Gaetano Previati, Angelo Morbelli, Plinio Nomellini, Giuseppe Pellizza da Volpedo, Emilio Longoni, Attilio Pusterla, Carlo Fornara Ernest Meissonier, Jules Breton, Alfred Roll, Jules Adler Umberto Boccioni, Carlo Carrà, Luigi Russolo, Giacomo Balla, Gino Severini (and some others basically used for the sake of comparison).
Professor Quinsac will be in dialogue with CIMA Fellow Eduardo De Maio.
Copies of the reserve will be readily available for buy.
Standard Admission: $10 Customers and Students: Free of charge
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Annie-Paule Quinsac is Professor Emerita at University of South Carolina and an art critic. She obtained her Ph.D. from the Sorbonne, and taught the background of 19th-century artwork for 25 many years. She is a main scholar on the oeuvre of Giovanni Segantini, having revealed a catalogue raisonné of the artist (Electa, 1982, 2014-15) and a important edition of his correspondence (Cattaneo Editore, 1985). She has curated several exhibitions, both equally in Italy and abroad, such as Segantini. Il ritorno a Milano (Palazzo Reale, Milan 2014-15)
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