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A new selection of operates by artist Jay Senetchko (earlier showcased here). Actively playing on the format of regular Christian altarpieces, Senetchko explores how both equally stability and violence effects isolated individuals as properly as the requirement of violence for attaining and protecting social security. Scenes of leisure like dinner get-togethers and picnics — symbols of social stability — are introduced on the exterior wings of the altarpieces, building a marked contrast to the interior scenes:
“The contrasting imagery of this series affirms that people appreciate pleasurable things to do this sort of as the sharing of food stuff with buddies thanks to concentrations of social security underpinned by violent usually means and that these identical people today are not only complicit in that violence but also dependable for its effects. The Excellent Refusal suggests to dilemma the mother nature of social balance, expose its historic and modern costs, and expose how a viewing viewers may be unaware of their tacit engagement in these kinds of a system.”
The collection is reflective of Senetchko’s ongoing interest in his individual heritage as a descendant of Ukrainian immigrants and draws on a wide range of references which includes his very own family members shots, Albertan archives of Canadian-Ukrainian immigration, as properly as documentary photographs from the ongoing war amongst Ukraine and Russia. See far more photographs from “The Excellent Refusal” under or on display at Pendulum Gallery from Might 16 to June 16.
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