Italian Art Police Recovered a Long-Lost Titian. But Is It Really the Renaissance Master’s Work? | Smart News

ByMary E. Alvarez

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Members of the Carabinieri Police Cultural Heritage Protection Unit pose with a painting

The Carabinieri Law enforcement Cultural Heritage Security Unit returned the portray to the federal government in a May well 19 ceremony.  
Picture by Marco Bertorello /AFP by way of Getty Illustrations or photos

In Titian’s 1512 portray Gentiluomo con berretto nero (Portrait of a Gentleman with a Beret), a red-bearded gentleman with a hat stares knowingly from his body. But authorities didn’t know wherever the portrait was for the almost two a long time that have handed due to the fact the painting disappeared in 2004.

Now, Forbes’ Rebecca Ann Hughes experiences, Italy’s Carabinieri for the Security of Italy’s Cultural Heritage, a specialised artwork crimes device, has recovered the painting and returned it to Italy.

At initially, Italy’s cultural safety device imagined the portrait, which is valued at about $7 million, experienced been illegally smuggled to Switzerland. In its place, a tip led a unit of the Italian law enforcement to a workshop in the Asti location of Piedmont. They discovered, then confiscated, the piece, returning it to the Italian condition at a May perhaps 19 ceremony. In the meantime, Forbes reviews, two Swiss citizens are now beneath investigation.

Italian art police hold up a recently recovered Titian portrait of a bearded man

The artwork was recovered in a restoration workshop in Italy.

Image by Marco Bertorello / AFP

Tiziano Vecellio, recognised in English as Titian, designed the painting around 1512. The Renaissance master was a single of Italy’s most notable 16th-century artists. Born in Pieve di Cadore, a small town shut to Venice, all-around 1488, he gained fame for his lively and reasonable type. His topics ranged from portraits to mythological tales to landscapes. Arguably his most renowned do the job, the 1538 Venus of Urbino, depicts a reclining nude woman determine staring at the viewer and can be observed in the Uffizi Gallery in Florence, Italy. The prolonged-lived painter died of the plague in 1576.

This is not the initially time a lost or stolen Titian has turned up. Very last year, Smithsonian’s Isis Davis-Marks reported, researchers realized that a painting that has hung in a British church for a century was truly a Titian. And previously this thirty day period, a extended-misplaced Titian painting of a penitent Mary Magdalene found out in the artwork selection of Queen Christina of Sweden garnered $5.1 million at auction.

Conserving and recovering artwork is major enterprise in Italy. The Turin department of the Carabinieri’s Cultural Heritage Security Device, which recovered the portray, is made up of 280 investigators with the target of preserving Italy’s cultural heritage, per Artnet News’ Dorian Batycka. Launched in 1969, the specialised artwork squad guards operates from purely natural threats, these kinds of as flooding, as well as trafficking and theft.

As NPR’s Sylvia Poggioli reported in 2017, the Carabinieri is the 1st countrywide unit of its variety in what is recognised as an “art theft playground.”

But is the piece they recovered in fact Titian’s? On the working day of the ceremony, outspoken art critic and politician Vittorio Sgarbi stated that the portray has been erroneously attributedAndrea Donati, regarded as one of the most authoritative students of Tiziano Vecellio and Renaissance art, agrees, stating that the work’s design and style is as well diverse from Titian’s.

“I can not even see the shadow of Titian in this portrait,” Donati said in a statement, calling the attribution “sensationally improper.”

The Cabinieri says it’s a Titian, but Donati vehemently disagrees. “Everyone can get to know Titian in the churches and museums exactly where his operates are kept,” suggests Donati in the assertion, “but recognizing a Titian can only be completed by people who have analyzed him for many years, proving that they have mastered the resources, the matter and the heritage of artwork.”

Sgarbi additional, “Se quello è un Tiziano, io sono Napoleone!” (If that is a Titian, I’m Napoleon!)



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