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Collector and gallerist Lia Rumma has donated her selection of much more than seventy functions manufactured by thirty Italian artists since the 1960s to the Italian point out. The is effective, several by artists affiliated with arte povera, will be permanently on check out at the Palazzina dei Principi of the Museo e Authentic Bosco di Capodimonte, which presently count 160 is effective amongst its up to date art holdings. With the reward, the museum will come to be the only Italian establishment to preserve and display screen artwork from the thirteenth century to the existing.
The trove comprises will work by Vincenzo Agnetti, Giovanni Anselmo, Enrico Castellani, Dadamaino, Luciano Fabro, Piero Gilardi, Giorgio Griffa, Jannis Kounellis, Mario Merz, Marisa Merz, Pino Pascali, Gianni Piacentino, Michelangelo Pistoletto, Ettore Spalletti, and Giulio Turcato, between many others. Rumma commenced amassing the selection in the early 1960s with her spouse, Marcello Rumma a curator and artwork publisher, when each ended up in their early twenties. Between the exhibitions Marcello Rumma organized or sponsored was were notably the 1968 “Arte Povera + Azioni Povere.” Curated by Germano Celant, the exhibition is regarded to have catalyzed the arte povera motion. Subsequent Marcello’s death in 1971, LIa opened a gallery in Naples, focusing primarily on the arte povera, Minimalist art, and Conceptual artwork of the time in 1999, she opened a second gallery, in Milan.
However significant museums from close to the earth approached Rumma regarding her selection in current several years, she was adamant that it keep on being in Italy. Sylvain Bellenger, director of the Capodimonte Museum and Serious Bosco, in a assertion praised Lia and Marcello Rumma for their intelligence and eyesight, noting, “With the gift of their selection to Capodimonte, Lia and Marcello Rumma are not only moving into heritage, but, beyond that, they are also building heritage enter Capodimonte a background which they witnessed and in which they played a position when, at the conclude of the 1960s with arte povera, Italian artwork radically entered the contemporary environment.”
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