Next Cloud Atelierhaus. An online residency for Marxist oracles, Algorithmic Solidarity and more – We Make Money Not Art

ByMary E. Alvarez

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In 2021, servus.at, a Linz-centered community culture initiative that encourages the use of no cost open resource software for collaborative work, launched a a person-month on-line residency plan for electronic artists. Upcoming Cloud Atelierhaus gives 5 invited artists accessibility to all the equipment in the servus.at cloud instance, a articles collaboration platform that permits interaction channels this kind of as chats and online video meeting, and features particular instruments to organize group workflows.

As a curatorial experiment of self-created establishment, the venture investigates what position Atelierhaus can engage in in the on the internet spaces to champion electronic art and respond to its desires. The on the web residency format permits for the sharing of sources, comments from the servus.at team, weekly meetings, studio visits with company, cling out things to do and a last open studio presentation.

An oracle impressed by Marxism, a School of Algorithmic Solidarity, a bot that follows Socrates’ encouragement to “know yourself”, a poetic exploration of the asynchronicity amongst human and pc instances, an archive of human body parts that resist patriarchal technology… These are the jobs I heard about when I met with the people of April 2022 in the context of a(n on the net) studio take a look at:


Impression by Mary Maggic


Picture by Mary Maggic


Picture by Mary Maggic

The to start with artist I spoke with was Mary Maggic. Their artistic investigation focuses on hormone biopolitics and environmental toxicity, and on how the ethos and methodologies of biohacking can assistance demystify invisible traces of molecular (bio)electrical power.

During the on-line residency, Maggic labored on Archiving the Disobedient Body. Each and every day, they made a 3D scan of a diverse portion of their overall body, “one disobedient portion at a time”. The segments are then stitched collectively in a way that evokes the poorly sewn body components from which the creature of Dr Frankenstein emerged. Just about every glitch in the 3D scanning system (fingers are lacking, poor top quality of skin texture, and many others) factors to the failure of machines to comprehend and categorise the human entire body.

Arguably each exterior section of the human physique has been outlined, measured and categorised less than the scrutiny of scientific objectivity, creating a kind of somatic fiction that distinguishes typical bodies from the abnormal or pathological kinds. This is exactly where the “disobedient” aspect will come in. Classic groups overlook or deny the actuality that the physique is in regular responsive morphogenesis with molecules, microbes, endocrine disruptors, metabolisms and messiness. We are much more malleable that we feel we are. In that perception, our bodies are currently being queered, irrespective of whether we realise it or not. This is a single of the causes why the rigid principle of gender is progressively becoming challenged today.

By in search of to accomplish the extremely hard procedure of archiving a human body that relentlessly shapeshifts, Archiving the Disobedient Human body subverts patriarchal technological know-how and heteronormative buildings, exhibits their failings and repurposes them for queer and feminist methods.

The challenge is open supply: the 3D scans of the overall body are released on line along with the 3D scanning protocol for collaborative mutations. Other people today can so access the scans of the artist’s system and add to the deconstruction of the “normative” body.

Archiving the Disobedient Entire body is a 2nd phase in a broader undertaking devised to produce resistance inside patriarchal know-how. Maggic acquiring earlier labored on the Genital( * )Panic clinic which makes an attempt to redefine genital aesthetics and taxonomies for the poisonous era.


Picture: Danae Tapia

Danae Tapia is the founder of The Digital Witchcraft Institute, an arts organisation focused to collecting state-of-the-art but non-conforming approaches to the use of technological know-how. The mission of the Institute is to analyze the parallels among know-how and mysticism, in between hackers and shamans, between anthropological and electronic research. Tapia has been building bot oracles for a while, taking gain of what she phone calls “digital randomness” and inexpensive AI engineering to discover how spirituality is getting coopted by capitalism.

For the Subsequent Cloud Atelierhaus residency, she utilised Marxist concept as the basis of study into the kind of esoteric being familiar with that communist beliefs can deliver.

The Grave, a Marxist Oracle blends quotations from The Communist Manifesto and filtered photographs that the artist gathered from Signal chats with her friends. The operate envisions Marxism as a sort of historic European tradition the place each particular person jobs their individual indicating and interpretation onto the text dependent on their possess subjectivities.

By combining sentences from the Manifesto with snippets from Tapia’s electronic intimacy, the oracle can summon imaginaries that look strange but continue being in line with what Tapia phone calls “the spiritually-billed aesthetics of Marx and Engels’ text”.

In the potential, the artist would like to open up the folder so that other men and women can add their own visuals to the folder and make The Grave a extra autonomous task. She is also contemplating about adapting the function to an exhibition context. It would then be a lot more immersive, with sonic meditation for instance.


Image: eeefff

Artist and personal computer scientist Nicolay Spesivtsev collectively with artist and author Dzina Zhuk from eeefff examine the socio-financial consequences of the infrastructure and politics of details and algorithmisation. Getting from Minsk, the duo of artists required to examine the risk of creating an algorithmic solidarity cooperative exactly where collaborative techniques could emerge and assist new kinds of solidarity.

The residency allowed the artists to acquire a skeleton for the ‘School of Algorithmic Solidarity.’ The school’s curriculum would aim on electronic infrastructures of coloniality (these as the invisible, precarious and normally outsourced pool of human labour making certain the working of tech infrastructure) and on new, playful and innovative sorts of know-how infrastructures of solidarity that would counter-balance very capitalised conditions.

eeefff’s investigate not only explores solidarity but also strikes. Element of their inspiration for the strike strategy comes from the Belarusians partisans who sabotaged the railway infrastructure in their region in an energy to hinder the motion of Russian equipment into Ukraine.

In the end, what issues to eeefff is to create a new political, anti-war creativity around establishments.


Felix Gonzalez-Torres, “Untitled” (Ideal Lovers), 1991

Cristina Cochior is a researcher and designer whose follow focuses on buildings of expertise co-generation, politics of automation, archival illustration, collective publishing and positioned computer software procedures. She is a member of Varia, a Rotterdam-dependent room for producing collective approaches to day to day technologies..

Numerous passions of the artist appear jointly in the project designed throughout the Atelierhaus residency: the enhancement of additional collective and non-extractive electronic infrastructures, laptop or computer logic and “user-unfriendliness” or the pain that manifests itself when technological infrastructure does not perform as efficiently as promised. Her undertaking includes wanting at the tensions among synchronicity and asynchronicity. Pcs are synchronised with each other. Even so, there are frictions and a need for negotiation between human time and computer periods. When you operate out of disk space, for case in point. Or when you encounter delays mainly because as well a lot of people today are making use of a server. These types of circumstances can be irritating due to the fact they disrupt your working move but they are also revealing the interior operating of the infrastructures and equipment that technological innovation is produced of. From there, Cochior wants to build protocols that would explore the lags and asynchronicity, asking questions these as “How are timelines negotiated, interrupted or multiplied?”, “How can we replicate emotions of asynchronicity into different protocols?”, “What form of poetry can arise from these lags?”


aaajiaoisBot

aaajiao is a media artist, blogger, activist and programmer. aaajiao is also the digital persona of Xu Wenkai, an artist who life in Shanghai and Berlin. Many of aaajiao’s will work examine new considering, controversies and phenomenon about the Net, with precise initiatives concentrating on the processing of information, the blogsphere and China’s Good Fireplace Wall. aaajiao’s the latest assignments extend his observe to a variety of disciplines (amid them, architecture, topography and style) to investigate the principle of identification in cyberspace and to mirror the point that currently being a person has become the number a person identification for several persons throughout the world currently.

For the residency, aaajiao has employed telegram to give everyday living to a bot that will support him know himself much better. aaajiaoisBot starts off by getting a component of the artist but it will evolve around time to undertake a persona that is still undefined: an alter moi, a instrument or it’s possible even an existence that no human will be able to realize.

Anyone can engage with the bot by the telegram platform. Possibly the bot will respond to you. Or maybe aaajiao will in fact be the intelligence you are speaking to. The ambiguity displays pseudo-AI or Potemkin AI phenomenon exactly where human staff are performing the cognitive perform guiding AI solutions.

The Up coming Cloud Atelierhaus is curated by S()fia Braga, Davide Bevilacqua & Pitscher for servus.at.

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