Faig Ahmed | Monumental Fiber-Based Sculptures


About Faig Ahmed

Faig Ahmed (b. 1982 in Sumqayit, Azerbaijan) is an Azerbaijani present-day visual artist most effective identified for blending visual distortions into regular oriental rugs. A graduate of the Sculpture Faculty at the Azerbaijan Point out Academy of Fine Artwork in Baku in 2004, nowadays Faig Ahmed lives and performs in Baku, Azerbaijan.

Ahmed represented Azerbaijan in the nation’s inaugural pavilion at the Venice Biennale in 2007 and participated in the 2013 “Love Me, Enjoy Me Not” celebration. In 2013, he been given a nomination for the 3rd edition of the Jameel Prize organized by London’s Victoria and Albert Museum.

Performs and Strategy

As a multimedia artist working with textiles, portray, movie, and set up, Faig’s perform reimagines historical crafts and results in new visual languages by dismantling common items and stereotypes.

Faig’s surreal sculptures incorporate historical carpet-weaving methods from his native state of Azerbaijan into sorts that any individual would discover as hyper-modern. He mounts his elaborate patterned weavings on architectural wood or plastic-made constructions. From time to time the stark contrast between the white area and the common tapestry is frightening plenty of other periods, Ahmed adjusts the styles to advise digital manipulation, pixelation, and distortion.


Remaining intrigued in making anything new that fights genres, birders, and even historical past, Faig Ahmed explores new methods to collide the up to date with the common. He diffuses contemporary alternatives with his weaving collaborators about how the regular textile follow may well converge the revolutionary and the outdated, the normal and the holy.

His fringed rugs are often gigantic in scale, woven with the masterpiece, ornate styles on leading in advance of they dive into a pool of glitches and skewed motifs. Each individual piece draws its title from a non secular leader who profoundly impacted Azerbaijani lifestyle, including Shams Tabrizi, Yahya al-Shirvani al-Bakuvi, and Nizami Ganjavi. 

The carpet inspired by Tabrizi, who was Rumi’s mentor, for illustration, “gradually dissolve(s) into a black woolen space of nothingness, significantly like the ultimate stages of a mystic’s religious journey: the demolition of one’s moi inside the divine presence, like the flame of a candle in the confront of the solar.”

Visit his web page to see guiding-the-scenes images of his approach and take a look at his fiber-based sculptures.

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