Viewers came to adore the calming cadence of his lower voice — akin to the babbling brooks he daubed on his canvases — his permed hair and wardrobe of denim denims. The Florida-born painter helmed the PBS clearly show from 1983 to 1994 prior to he died from lymphoma at age 52.
But a new Netflix documentary, “Bob Ross: Happy Mishaps, Betrayal & Greed,” appears established to upend the notion that Ross’ story was a very simple one, teasing a a lot more advanced side to his daily life in the title and trailer.

Steve Ross (still left) is just one of the most important accounts in the new Netflix documentary. Credit: Courtesy of Netflix
At a time the place Tv and motion picture viewers cherish the great men — Mr. Rogers, Tom Hanks and the fictional Ted Lasso — though anticipating our idols to tumble, this sort of reframing can build unease. Ross’ identify nevertheless carries cultural cash two many years later because of his clear goodness — epitomized by his concept that “we don’t make faults we have happy incidents.” His optimism continued even as he publicly tackled the dying of his wife, Jane, on the exhibit, and through his personal most cancers prognosis.
“Even with how complicated things received at instances, he just experienced this unbelievable potential to hook up with whoever was observing,” explained the Netflix documentary’s director, Joshua Rofé, in a cellphone interview.
Beneath the surface area
So what could be lurking beneath the area of Ross’ fantastic-hearted facade? As it turns out, in all probability practically nothing that would get the beloved artist canceled. Though Rofé digs into some personal regions of Ross’ life — notably his alleged marital transgressions — the real microscope is on Annette and Walter Kowalski, the painter’s long-time business partners who co-launched Bob Ross Inc. and have been involved in comprehensive lawful battles towards Ross’ estate and his family more than the rights to the artist’s impression.
The documentary’s narrative unfolds via accounts from Ross’ son, Steve, and many others near to him. But Rofé said he failed to know exactly where the story would guide at to start with.

“The Joy of Painting” aired for a ten years, encouraging persons to harness their creative imagination and just take hazards. Credit score: Courtesy of Netflix
“We commenced to arrive at out to persons who realized (Ross), individuals who worked with him. And two matters ended up coming up every time,” Rofé reported. “A person was, they all liked him, and they missed him … (but) they had been all afraid to discuss publicly about Bob out of fear of some kind of lawful retaliation or retribution from an entity that they would not name.”
“I actually needed to uncover out why,” Rofé defined. “And I preferred to understand what was likely on in Bob’s life outside the house of that 30 minutes of the show that was so tranquil and calming to view.”
‘He was not perfect’
The documentary goes back to the starting of Ross’ vocation, when the Kowalskis found out him demonstrating painting approaches at different malls. They quickly partnered with him to bring his techniques to Americans’ dwelling rooms.
Ross was not the 1st artist to paint on Television set. He had in reality researched under Monthly bill Alexander, who had his have PBS exhibit “The Magic of Oil Portray.” Alexander taught Ross the soaked-on-damp system that allowed him to full a painting in the span of a 50 %-hour television episode (and that, centuries earlier, had enabled the loosely painted lilies of Claude Monet and the shadowy, regal figures of Diego Velasquez).

It is believed that Ross painted around 30,000 operates in the course of his lifetime. Credit: Courtesy of Netflix
When “The Pleasure of Portray” debuted in 1983, it was filmed in the Kowalskis’ household versus a black backdrop. Ross taped numerous episodes for each working day. Above the class of the clearly show, he welcomed frequent company, including his son, coined his “satisfied minor trees” catchphrase, and still left viewers with equally sensual instructions to “make really like” with their brushstrokes and sage suggestions outlining that currently being an attained painter is just not an inherent expertise, but anything gained by means of practice. (“Trees protect up a multitude of sins,” he also available)
“He was not ideal he certainly experienced flaws,” Rofé mentioned. But, the director added: “I feel that you can find something about this … decency that you get from him. And we are all genuinely hungry for that. And we’re in need of that.”
Now, amid an abundance of Bob Ross goods and nostalgia, Rofé thinks the story of his life has been cautiously curated by those now in handle of his legacy.
“The information that’s out about Bob, for the most portion, is quite much what is put forth by Bob Ross Integrated. They’re basically the controllers of the Bob Ross identify and image,” Rofé stated. “When we at last discovered folks who were willing and courageous ample to say their piece, we started to locate out so a great deal far more.”
Include to queue: Satisfied small trees
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“How typically do a deciduous tree and a coniferous tree appear in the exact (Bob Ross) painting?” You might in no way have wondered this by yourself, but FiveThirtyEight journalist Walt Hickey analyzed the paintings from all 403 episodes of “The Joy of Painting” to locate out.