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Understand how to create lifelike portraits by painting in levels. Gustavo Ramos shares the secrets powering his masterful get the job done in an oil painting demo of Mom and Youngster.
Stage 1: The Wipeout
To begin this painting, I coated the surface area with a thin clean of transparent oxide purple and ultramarine blue diluted with odorless mineral spirits. I applied this combination with a rag and wiped the panel right until I accomplished a gentle neutral tone. Then, I started out scheduling out the composition and drawing by carving out the lights with a kneaded eraser.
Stage 2: The Drawing
In the following phase, I switched from a mass mentality to a far more linear technique to refine the drawing. By very carefully positioning straight strains on the panel, I could figure out the rhythms and spatial associations of the pose, performing from big to small. I kept my conté pencil sharp at all moments and created delicate tips of variety and quantity as a warmup for the portray phase.
Phase 3: Painting the Entire
With my drawing recognized, my future objective was to include the complete area with a layer of paint. Working with my whole coloration palette, I attempted to do this in 1 painting session, doing work broadly and hoping to understand the color and tonal interactions throughout the piece.
I was in essence trying to seize an accurate very first impact. I believe that the very best way to accomplish this is by doing work on the full portray at once somewhat than section by section. Applying aged artificial brushes, I designed sporadic marks that left an organic and natural come to feel, which would present through in the concluded painting.
In my previous pass, I intentionally leaned light, allowing for darker glazes in the upcoming passes to enrich the color and create a luminous “backlit” glow. I continued to be mindful of keeping my shadows transparent while adding more body to the lights.
The Benefits of Painting in Layers
Some parts of this portrait were completely resolved within two layers, while others took as many as five layers to achieve my desired refinement and effect. Some of my other paintings can have as many as 10 layers on certain passages.
Painting with many layers helps me achieve close control of color and tone; I get closer to the right tone with each layer. The Old Masters like Leonardo da Vinci and Rembrandt knew they could not “get it right” with just one layer of paint, so it would be disrespectful for me to assume that I can.
Another advantage of painting in layers is the different effects that arise from the paint build-up. These effects are impossible to achieve with a single layer and help transform the painting into something deeper and more lifelike, rather than just paint.
See more of Ramos’ portraits: 8 Masterful Gustavo Ramos Paintings with Brilliant Form and Depth
Meet Gustavo Ramos Live
About the Artist
GUSTAVO RAMOS (b. 1993 Brazil) is promptly starting to be a prominent and sought-just after oil painter in the realm of portraiture. His function has been exhibited in entire world course venues, together with the European Museum of Contemporary Artwork in Barcelona, the Rijksmuseum in Amsterdam, and Sotheby’s in New York Metropolis. Join with him on Instagram @gustavoramosart or check out his perform at gustavoramos.artwork.
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